We were blessed with not just one new photoshoot last week, but two! In addition to the gorgeous new W Magazine photoshoot, Dianna also appeared on Bustle Magazine to promote Clock. The full article has been added to our press archives, and you can find the beautiful new photoshoot in our gallery! Find all links and previews below.

Dianna Agron is running late — she’s stuck on the subway. I have no problem believing this because I am on the exact same train a few cars away, as we learn when she sends me a heads-up text. My phone slowly receives a selfie of Agron waving through a grainy train window, face curtained by long light-brown hair, along with another message about how tickled she is that we’re sharing a classic New York experience. And it’s one we continue when we finally make it to The Odeon, the iconic Tribeca bistro. “It’s been a staple since the 1980s, which is what I love about this place,” she says in her lilting voice as we mull over the menu. “This is a place that was happening when I was born and didn’t even know that it would be waiting for me when I moved to New York City.” We get two dirty martinis and a plate of fries before gleefully cheering to being in our 30s. “I love this time, though,” she adds.

Agron has been thinking a lot about her 30s, and not just because we’re meeting up two weeks before her 37th birthday. Her new movie, Clock, out now on Hulu, is a sci-fi horror film that explores the immense societal pressures women, in particular those without children, face in that decade of their lives. But the film’s messages about making your own choices also resonate within the arc of her career. Agron spent six seasons on the pop culture juggernaut that was Glee — and enduring the intense public scrutiny that came with it — before more recently finding acclaim with a string of indie movies like Shiva Baby and Novitiate. With Clock, Agron pushed herself again. There are big action scenes (hanging from cliffs, elbow-deep gore), as well as dark emotional depths (involving painful family secrets coming to life). “Collected experience really does add up,” she says. “And I think that the life I’ve lived the last 10 years in some ways has been more magnificent and more challenging than my more formative years.” | Read full interview in our press archives